Am Ende vorn

Django Asül
In front at the end
His annual reviews have long been cult. Just as his annual
Maibock speeches in the Hofbräuhaus have long been legendary. But when Django
Asül puts together a new stage program, it's not about the
the day-to-day minutiae of politics and society, but the big issues.
topics. Being topical is by no means enough. He not only looks at the
the here and now, but also likes to look at the elsewhere and
later. Staying true to himself and at the same time consistently
and at the same time consistently developing himself further - these are the cornerstones of his work. He is
not so much to himself, but to his audience. The
responsibility now weighs heavily. Anyone who, like Django Asül
of the Bavarian Order of Merit, the Bavarian Culture Prize and the Bavarian
and the Bavarian Cabaret Prize, has understood: The worst is over
done - now it's time to get down to business. And without regard for
profits. And the audience can be there live. If this
too cryptic for this announcement: Django Asül's eighth solo program can easily
eighth solo program can easily compete with any precision device made in
Germany. You can look forward to two hours in which every
has what it takes to become a main sentence