CARNOID

In CARNOID, human and technological bodies come face to face, questioning the structures of power and violence that shape their relationship. In his new work, choreographer Fabrice Mazliah explores the posthuman intertwining—or collision—between organic and technical bodies, inviting three performers and a car to share the stage. In a choreographic dialogue with a car—that mythical promise of technological progress—CARNOID transforms the hope of invincibility into shared vulnerability and creates a space for the productive dynamics of collective collapse.