Grossstadtgeflüster - 23 2/3 Jahre Jubiläumstour 2026

Grossstadtgeflüster - 23 2/3 years anniversary tour 2026

Grossstadtgeflüster, the Berlin band that has been spanning the arc of good taste from both sides since 2003 and sides and has made many, many, many people happy with the 1000 or so concerts it has played. people happy, is not back, but still there.

With evergreens like "Fickt-Euch-Allee" or "Feierabend", they are constantly banging out hits that seem subcultural seem subcultural, but then create a good mood across generations and genres in a collective in a collective good mood. There's always a bit of rave in there, a bit of pop, a bit of punk, a bit of hip hop hip-hop, garnished with stylistic ricochets and U-turns, lots of synths and a latent tendency towards eccentricity. and a latent tendency towards eccentricity.

The common thread is formed by the lyrics, which have been awarded the GEMA Music Authors' Prize, which are traditionally woven into a web of wordplay, irony, double rhymes, meta-levels and punchlines between philosophical depth and hype album calendar pages. together.

The anthems of Grossstadtgeflüster are dancing declarations of independence, head-nodding liberating blows from social or self-made pressure of expectation, popping ping- pongs between megalomania and failure. But they never point the finger at others, let alone kicking downwards.

With a suspicious eye on the entire human species and a loving eye on the individual individual, the ambivalence of existence has been celebrated for two decades and 7 studio albums (incl. two EPs). existence has been celebrated.

And even if they have always eluded clear categories, it works... Over 100 million clicks on Spotify alone, over 50 million on YouTube, long since an established established party act at festivals across the country, the last two indoor tours completely sold out... sold out...plus wonderful features with artists such as Danger Dan, Mine and Fatoni. Jen Bender, the larger-than-life 1.59 tall front woman of Grossstadtgeflüster, a Berlin plant with a Berlin plant with a Berlin muzzle, is the personified antithesis of the filter-infested social media age.

As if she had fallen into a pot of broken cables as a child, Jen rumbles across every stage and appears in stage and seems almost age-appropriate in her determined procrastination of maturing processes. She sings, she flexes, she spits, she roars, makes beats, composes and writes for herself and others. In this alone and others, she deliberately kicks all those who feel disturbed in their tried and tested order in the and, incidentally, offers more potential for identification as a woman than any rhinestone-covered feminist flag.

In short, she offers an alternative female role that would make Siegmund Freud call for his Freud would call for his mother